In this episode of Serendipity, Martin reveals some surprising Swedish news about G-punkten and James Urbaniak asks you to unfriend him. Featuring the piece "Status" written by Brie Williams and performed by James Urbaniak. The story was originally broadcast on the podcast "Getting on With James Urbaniak."
Serendipity is the monthly podcast of The Sarah Awards, an initiative of Sarah Lawrence College and supported by KCRW's Independent Producer Project. The Sarah Awards celebrates radio drama for the 21st century. Check us out at thesarahwards.com. There, you can listen to inspiring works, learn how to make audio fiction of your own, and take part in the revolution. Follow us on Twitter @TheSarahAwards.
In this episode of Serendipity, we play 5 of the 10 finalists for our 2016 Very, Very, Short, Short Stories Contest. Featuring: "Bitterly Cold" by David Garland, "The Staging Area" by Jason Gots, "Noir" by Pa Ying Vang, "#blessed" by Jackie Heltz, and "Blinking" by La Cosa Preziosa. Read More
It is an exciting time for audio. The tumultuous growth of podcasting and the concomitant development of digital channels, multiple platforms, and user-driven content has not only expanded and re-energized the form, but forced public radio to loosen its stays and let down its hair.Where once we might have talked of “the system” or “the industry,” we can now confidently say we are part of “a culture.” But—we are missing two important components of a vital culture: a critical language, and with it, a critical practice. The language should be expressly designed to describe our forms, tropes, and themes, but with reference to the larger culture and world of ideas. And the practice should be constant, robust, and open, with critical tools wielded to help us better understand our work, and ourselves, and to help our public to better understand us as artists. Read More
James Urbaniak is the kind of podcaster that other producers love to hate. His show, Getting On with James Urbaniak, consists of nothing but a single voice reading a fictional soliloquy, often written by someone else. There is almost no elaborate soundscaping, no intricate plot development, little evidence of endless editing sessions to get the thing just right. Getting On sounds like Urbaniak cruised into the studio, an iced latte in hand, and finished recording before his drink grew tepid. None of this would be infuriating if the podcast in question wasn’t so good. Read More