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What Do You Mean?

In this episode of Serendipity, Ann and Martin bury their relationship and robots teach us about the arc of love. Our featured piece this month was "What Do You Mean?" It was written by Mira Burt-Wintonick and Cristal Duhaime and includes parts of a poem by Kelsey Walsh. They have a new podcast. It's called Love Me from the CBC.

Serendipity is the monthly podcast of The Sarah Awards, an initiative of Sarah Lawrence College and supported by KCRW's Independent Producer Project. The Sarah Awards celebrates radio drama for the 21st century. Check us out at thesarahwards.com. There, you can listen to inspiring works, learn how to make audio fiction of your own, and take part in the revolution. Follow us on Twitter @TheSarahAwards.

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Very, Very, Short, Short Stories Finalists (Part 1)

Serendipity Ep 17:

Very, Very, Short, Short Stories Finalists (Part 1)

In this episode of Serendipity, we play 5 of the 10 finalists for our 2016 Very, Very, Short, Short Stories Contest. Featuring: "Bitterly Cold" by David Garland, "The Staging Area" by Jason Gots, "Noir" by Pa Ying Vang, "#blessed" by Jackie Heltz, and "Blinking" by La Cosa Preziosa. Read More

Brave + Bold Deadline Extended to Feb 15th

Essays

Brave + Bold Deadline Extended to Feb 15th

The Sarah Awards and Audible are extending the Brave + Bold deadline to Feb 15th. This gives you more time to fulfill your resolution of becoming an audio fiction star in 2018. The winner of the contest will receive a $15,000 development deal with Audible to create an audio fiction pilot. The deadline for submission is Thursday, February 15, 2018. Click here to enter and learn more details about the contest.  Read More

Getting On with James Urbaniak

Reviews

Getting On with James Urbaniak

James Urbaniak is the kind of podcaster that other producers love to hate. His show, Getting On with James Urbaniak, consists of nothing but a single voice reading a fictional soliloquy, often written by someone else. There is almost no elaborate soundscaping, no intricate plot development, little evidence of endless editing sessions to get the thing just right. Getting On sounds like Urbaniak cruised into the studio, an iced latte in hand, and finished recording before his drink grew tepid. None of this would be infuriating if the podcast in question wasn’t so good. Read More