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2018 Sarah Awards Winners! by

We're excited to announce the 2018 Sarah Awards Winners! This year is the most international yet, with winners from Belgium, UK, Canada, Croatia and the U.S. Find out who won what at our Sarah Awards Ceremony on Monday, April 23rd at The Players Club. That evening we will also be announcing the winner of The Brave+Bold Contest. Hope you can join us!

Essays

Brave + Bold Deadline Extended to Feb 15th by Ann Heppermann

The Sarah Awards and Audible are extending the Brave + Bold deadline to Feb 15th. This gives you more time to fulfill your resolution of becoming an audio fiction star in 2018. The winner of the contest will receive a $15,000 development deal with Audible to create an audio fiction pilot. The deadline for submission is Thursday, February 15, 2018. Click here to enter and learn more details about the contest. 

Essays

The 2018 Sarah Awards Are Now Open! by Ann Heppermann

The 2018 Sarah Awards are now open! The deadline is February 15, 2018 for you to submit your work to be considered to win. 2018 Sarah Awards winners will receive cash prizes and join us at our for our 2018 ceremony at The Players Club in New York City on Shakespeare's birthday!

Click here to learn more about the rules and how to submit. 

Essays

Towards a Poetics of Audio: The Importance of Criticism by Sarah Montague 

It is an exciting time for audio. The tumultuous growth of podcasting and the concomitant development of digital channels, multiple platforms, and user-driven content has not only expanded and re-energized the form, but forced public radio to loosen its stays and let down its hair.

Where once we might have talked of “the system” or “the industry,” we can now confidently say we are part of “a culture.” But—we are missing two important components of a vital culture: a critical language, and with it, a critical practice. The language should be expressly designed to describe our forms, tropes, and themes, but with reference to the larger culture and world of ideas. And the practice should be constant, robust, and open, with critical tools wielded to help us better understand our work, and ourselves, and to help our public to better understand us as artists.

Essays

5 Questions With Homecoming's Eli Horowitz by Devon Taylor

1. For those who are unfamiliar with your background, you have done everything from manage a literary magazine (McSweeney’s) to write and design a digital novel (The Silent History). Your work is innovative and experimental, often pushing the boundaries of a particular genre or medium. In that sense, it is perhaps not surprising that you’re experimenting with podcasting, but I was curious about your decision to work specifically within this medium. What drew you to podcasting and why did you feel it was the right fit for a project like Homecoming?

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Very, Very, Short, Short Stories Finalists (Part 1)

Serendipity Ep 17:

Very, Very, Short, Short Stories Finalists (Part 1)

In this episode of Serendipity, we play 5 of the 10 finalists for our 2016 Very, Very, Short, Short Stories Contest. Featuring: "Bitterly Cold" by David Garland, "The Staging Area" by Jason Gots, "Noir" by Pa Ying Vang, "#blessed" by Jackie Heltz, and "Blinking" by La Cosa Preziosa. Read More

2018 Sarah Awards Winners!

Essays

2018 Sarah Awards Winners!

We're excited to announce the 2018 Sarah Awards Winners! This year is the most international yet, with winners from Belgium, UK, Canada, Croatia and the U.S. Find out who won what at our Sarah Awards Ceremony on Monday, April 23rd at The Players Club. That evening we will also be announcing the winner of The Brave+Bold Contest. Hope you can join us! Read More

Getting On with James Urbaniak

Reviews

Getting On with James Urbaniak

James Urbaniak is the kind of podcaster that other producers love to hate. His show, Getting On with James Urbaniak, consists of nothing but a single voice reading a fictional soliloquy, often written by someone else. There is almost no elaborate soundscaping, no intricate plot development, little evidence of endless editing sessions to get the thing just right. Getting On sounds like Urbaniak cruised into the studio, an iced latte in hand, and finished recording before his drink grew tepid. None of this would be infuriating if the podcast in question wasn’t so good. Read More